| 1 |
* |
| 2 |
^ |
| 3 |
a) My Created Hotkey for 'Show Rulers' (Ctrl + Alt + R) |
| 4 |
b) Vertical Lines we can make with Color Matte |
| 5 |
- Just choose color and change |
| 6 |
c) My Created Hotkey for 'File > New > Photoshop File' (Alt + Shift + Q) |
| 7 |
** |
| 8 |
* |
| 9 |
^ |
| 10 |
a) First, you must finish your work, then you can update you Programme |
| 11 |
b) Basically, film editors work with an outer SSD |
| 12 |
* Project |
| 13 |
^ Settings of a Project consist of |
| 14 |
a) General |
| 15 |
b) Scratch disks (default same as project) |
| 16 |
- Allows to storage all you trash and temporary files |
| 17 |
c) Ingest Settings |
| 18 |
- Allows to transcode a video into a montage format |
| 19 |
* |
| 20 |
^ General |
| 21 |
a) Video Rendering and Playback |
| 22 |
- Renderer: here's we can choose between CPU ang GPU |
| 23 |
'Better use always GPU: it's easier for effects and we can watch playback in runtime |
| 24 |
- Preview Cash (passive) |
| 25 |
b) Video |
| 26 |
- Display Format (default Timecode) |
| 27 |
'Feet + Frames 16 mm |
| 28 |
'Feet + Frames 35 mm |
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'Frames (sometimes for animation better) |
| 30 |
c) Audio |
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d) Capture |
| 32 |
e) Color Management |
| 33 |
* |
| 34 |
^ Scratch Disks (all tabs "Same as Project) |
| 35 |
a) Video Previews: sometimes it's better to make a way into another SSD for not trashing the main channel |
| 36 |
b) Audio Previews: the same as in Video Previews |
| 37 |
c) Project Autosave |
| 38 |
* |
| 39 |
^ Ingest (default untick) -- allows to transcode import files |
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a) 4 types: |
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- Copy: allows to copy selected import files into resources of Premier Pro |
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- Transcode: as similar as possible files with the same quality with a necessary codec |
| 43 |
- Create proxies: intermediate temporary files |
| 44 |
- Copy and Create Proxies |
| 45 |
b) Primary Destination (Default Same as Project): 4 types |
| 46 |
- Use Preset Destination (It's from "Add Injest Preset) |
| 47 |
- Creative Cloud Files |
| 48 |
- Choose Location |
| 49 |
^ Copy: 2 Presets |
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- Copy With MD5 Verification |
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- Copy Without Verification |
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^ Transcode -- allows transcode import files into necessary codes |
| 53 |
a) Lots of Presets |
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b) It's useful when you got a file with, as an example, an uneditable codec MPEG-4, you can Transcode it |
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c) Better transcoding with a preset DNxHD on Windows. |
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- Codec 'CineForm' has some problems, as an example, from pc to pc transmitting files |
| 57 |
d) Better transcoding with a preset Apple ProRes 422 LT on Mac |
| 58 |
e) Speed of work is getting better and better understandability |
| 59 |
^ Create Proxies |
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a) You can work with smaller formats |
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b) Perhaps, a preset is appropriate H.264 Low Resolution Proxy |
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c) Here's we can see presets "DNxHR VR Monoscopic Proxy" and "DNxHR VR Stereoscopic Proxy" |
| 63 |
d) First, you create proxies |
| 64 |
- then export files in XML |
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- then use them |
| 66 |
- they are much easier for Premier Pro |
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^ Copy and Create Proxies: understandable |
| 68 |
^ Hotkeys |
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a) Alt + Shift + 0 -- Window > Workplace > Reset to Saved Layout |
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b) Shift + 2 -- Source |
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c) Shift + 4 -- Program |
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d) Shift + 1 -- Project |
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e) SHift + 5 -- Effect Controls |
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^ Keyboard Shortcuts |
| 75 |
a) Mark in -- I |
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b) Mak out -- O |
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c) Go to in -- Shift + I (go to the very beginning point) |
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d) Go to out -- Shift + O (go to the last poijnt) |
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e) Shift + 3 -- Timeline |
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f) Shift + 4 -- Program Monitor |
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^ Keyboard Shortcuts (Part 2) |
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a) Shift + 2 -- Source |
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b) Shift + 5 -- Effect Controls |
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c) Shift + 1 -- Projects |
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d) Shift + 6 -- Audio Track Mixer |
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e) Add edit -- S: it cuts everything at the certain time or only selected |
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f) Add edit to all tracks -- Shift + S: it always cuts everything |
| 88 |
^ Keyboard Shortcuts (Part 3) |
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a) Shift + C -- Ripple Trim Next Edit To Playhead |
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b) Shift +Z -- Ripple Trim Previous Edit To Playhead |
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с) Alt + Shift + T -- Mark Clip: It makes a mark of all separated clip |
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d) F -- Match Frame: we can find the same point of time in Source from Timeline |
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e) Shift + F -- Reverse Match Frame: we can fint the sampe point of time in Timeline from Source |
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f) Zoom in -- "3" |
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g) Zoom out -- "2" |
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^ Keyboard Shortcuts (Part 4) |
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a) Shift + B -- Insert: it inserts selected part from Source into Timeline at the point of playhead, but the right part shifts |
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b) Shift + N -- Overwrite: similar to insert, but this command overwrites |
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c) Shift + Ctrl + X -- Clear In and Out |
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d) Shift + Ctrl + I -- Clear In |
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e) Shift + Ctrl + O -- Clear Out |
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^ File > Sync Settings > Sync Settings Now -- allows to download settings on any devices all over the world |
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a) We have to do it on our own, cause the system isn't automatical |
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b) My account alexander.phrolov86@mail.ru |
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^ Keyboard Shortcuts (part 5) |
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a) Alt + Shift + 1 -- All panels |
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b) Alt + Shift + 2 -- Assembly |
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c) Alt + Shift + 3 -- Audio |
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d) Alt + Shift + 4 -- Caption and Graphics |
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e) Alt + Shift + 5 -- Color |
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f) Alt + Shift + 6 -- Editing |
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^ Keyboard Shortcuts (part 6) |
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a) Alt + Shift + 7 -- Effects |
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b) Alt + Shift + 8 -- Graphics |
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c) Alt + Shift + 9 -- Learning |
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^ |
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a) in Tab Audio added some sound effects |
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b) in Titres some presets for animation |
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c) General has 2 views of settings |
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- File > Project Settings > General |
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- Edit > Preferences > General |
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^ Edit > Preferences > General |
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a) Bins: we can change them |
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- Double click (default open new tab): I've changed into 'Open in place' |
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- + Ctrl: open in place (the same place): I've changed into 'Open new tab' |
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- + Alt: open in new window |
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b) Projects: we can change them |
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- Double click (default open new tab) |
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- + Alt: open in new window |
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^ Edit > Preferences > Audio |
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a) Automatic audio waveform generation (default tick) |
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- if untick, we can start quicker (for weak computers), cause Premier Pro won't count all audio waves |
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- it's useful when in project lots of files |
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b) Play audio while scrubbing (default tick): when you change position of playhead, sound is working. |
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- with untick, work is quicker and more comfortable |
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- I assigned My shortcut Alt + a |
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^ Edit > Preferences > Audio Hardware -- allows to set up devices of audio out an audio in |
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a) If you don't hear sounds change in Default Output |
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^ Edit > Preferences > Auto Save -- An important thing |
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a) Automatically Save Every 15 min (Default) |
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- From professional advice 5 min |
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b) Maximum Project Versions 20 min (Default) |
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- From professional advice 100 |
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c) Here's we can 'Save backup project to Creative Cloud' (Default untick) |
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^ Edit > Preferences > Media |
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a) Default Media Scaling (default None) |
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- Scale to Frame Size |
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- Set to Frame Size: automatically a footage will scale according to Size of a Sequence |
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^ Edit > Preferences > Media Cache: the main level of accumulating all temporary information |
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a) Better create a separated folder 'Cache', then throw it away to that one |
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^ Edit > Preferences > Playback: here we can set up program monitor in the second display |
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^ Edit > Preferences > Labels: we can set up different colors for bins, videos, sequences ang so on (default is ok) |
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* |
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^ Methods of Import materials into Premier Pro |
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a) Double click in Project |
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- A minus of its method is when you want to double click on a footage and you accidentally missed, then opens the window |
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b) Drag and Drop |
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- in Avid Media Composer a video editor starts transcoding it. |
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c) Media Browser (Shift + 8): lots of pros |
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- When you're hovering over a footage, you can see quick mute watching |
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- You can tick/untick 'Ingest', so there's no need to go into settings of Project |
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^ When you move a window + Ctrl, it's unglued |
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^ Creating a new Ingest Preset |
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a) Go into Adobe Media Encoder and create in it |
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b) Preset Browser > Create Injest Preset |
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c) Preset Name: here we name our new preset |
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d) For choosing a way we tick 'Transcode files to destination' |
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- Browse for location: my way -- documents > Presets Proxy Media Encoder for Premier Pro |
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- Format: (default QuickTime) but we choose DNxHR/DNxHD MXF OP1a) |
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- Preset: (according to format) DNX HQ 720p 29.97 |
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' Rate we choose the same as in source |
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' I think we need to do the same size as well |
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- Preset Name: we give understandable according to Format and Preset, sometimes only Preset |
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e) in Preset Name > User Presets & Groups: |
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- RBM on your created preset > Preset Settings |
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- RBM > Export: for exporting into a necessary folder |
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f) Premier Pro > Project Settings > Injest Settings > Create Proxy |
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- Add Injest Presets |
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- Take our created preset |
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g) If we Modify > Interpret footage for necessary Frame Rate, Media Encoder doesn't create proxies |
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^ |
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a) To make sure, that proxies are working in Source we can see highlighted "Toggle Proxies" |
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** |
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* The Right Organization of a Project |
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^ |
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a) First, we watch all our sources |
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b) In Source Monitor we can use Sequences and even built-in graphical objects. Example with Sequences |
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- Sequences, just drag and drop a necessary sequence into Source Monitor |
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- We can do marks, then we can choose to insert or overwrite either as a nest or individual clips |
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' A button in Timeline (Shift + 3) in the very left position, next to the button "Snap in Timeline" allows to choose between a nest and individual clips |
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b) Then, sort videos out according their frame rates |
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- it does for choosing presets proxies |
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c) all files we fluently watch for choosing necessary moments where "Markers" help us. Hot key is "M" |
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- In a Marker we can give name, duration, comment, and color of labels |
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^ Two variants of showing footages in Project |
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a) List view |
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b) Icon view |
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^ Sorting Footages in Project |
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a) Use your chosen Metadata |
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b) In the window of icons, using a button "Sort Icons", but the button is active only in Icon view |
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- RBM on "Sort Icons", then choose where most popular types are "Media Duration" and "Name" |
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c) Bad files or unnecessary ones better not to delete. |
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- Create bin "Trash" |
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- Perhaps, we can find an interesting part of an unnecessary footage, then can insert it. Process is called "Podvorovatsya" (double from one shot into another one) |
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^ When you're working with lots of files |
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a) You should work separately with them in Source Monitor |
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b) Interesting objects we mark via markers (M) |
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c) We can also give additional information to markers |
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^ We can sort out material with this method |
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a) Sort out in bins with Frame Rates |
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b) Sort out with separated Scenes |
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- Different songs |
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^ We should sort files out via |
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a) Metadata |
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- Frame Rate |
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- Duration |
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- Very useful metadata is 'Log Note' where we can think out our name of filter |
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- So on |
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b) Sort Icons: much better but works only in 'View Icon' |
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- In the lower part of the Project: next to button Find |
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^ If we work with serial and we can see claps |
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a) We have to rename all files into this format |
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b) Scene / Frame / Double |
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- 1/1/1 |
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c) After renaming one file we press 'Enter' |
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- we go into to a lower file where can rename on spot |
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d) We take information from claps |
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e) Renaming of files in Project doesn't rename source files |
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^ Metadata: allows give information about files and sort ones out |
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a) Label -- we can differentiate with color of label (useful) |
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b) Video Info -- example, 1920x1080 |
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c) Audio Info -- example, 44100 Hz Stereo |
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d) Media Duration |
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e) Log Note |
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f) Frame Rate |
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^ Metadata (part 2) |
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a) Name |
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b) Proxy -- it shows a way path to created proxy |
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- if a proxy is created, we can see a sign 'Attached' |
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c) File Path -- allows to sea a path to a source |
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^ Creating a 'Search Bin' -- allows to make a separate bing with a certain name according to 'all metadata' or 1-2 ones (Useful) |
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a) Just click on a folder with a magnifier, then type a name |
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b) If we rename a footage in a usual bin, the footage disappears from a search bin |
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c) If we rename a footage with not filtered name of a search bin in a usual bin into a filtered one, the footage is added inside the search bin |
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^ Source Monitor (Shift + 2) |
| 246 |
a) LBM Holding over Timecode we change in timeline |
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- If we hold + Shift, speed is quicker |
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- If we hold + Alt, speed is lower |
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b) Holding K + L we can slowly play a video ahead |
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с) Holding K + J we can slowly play back a video |
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^ Timeline (Shift + 3) > Changing of Start Timecode of a Sequence |
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a) Click on 3 little horizontal stripes (next to a name of a sequence) |
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b) Choose 'Start Time', where type our necessary time |
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^ Changing a length of clip in Timeline |
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a) Rolling Edit Tool (N; Ctrl + hovering on the intersection of 2 clips) |
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- Allows to change the length of a necessary clip where simultaneously is changing a length of an adjacent clip |
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b) The second method via 'Trim Edit' (T) (useful) |
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- When is nothing selected in Timeline and you use hotkey of Trim Edit (T), your playback is shifted to the nearest border between two clips |
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- Use J, K, and L for shifting in Program Monitor where after pressing 'Space' or 'K' your the 2 clips will be shifted at once |
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^ On synchronized moments is much better an action than a cut off |
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^ Yellow tools change our time, but red ones don't |
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^ If we want to change a length of the common time, use Ripple (B) |
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a) Ctrl + hovering of a little farther border, otherwise it's Trim |
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- Ripple is highlighted with yellow |
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^ Changing a length of a clip on a necessary number of frames |
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a) in Timeline where time is showing just type, as an example, +15 (unfortunately doesn't work) |
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- There will be + 15 frames |
| 268 |
- If +10000, there will be + 1 min |
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b) The second method: select a clip > Alt + R > in Duration + or minus a necessary number of frames |
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^ Ctrl + F12 -- call out console |
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^ Timeline > Wrench |
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a) Show video thumbnails -- we can see pictures on video tracks (default is ticked, i changed into unticked) |
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- Sometimes is better not to show for easier working of your mainframe |
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b) Show video Names -- useful |
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c) Show audio Names -- ticked off by default |
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d) Minimize All Tracks -- very useful |
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e) Expand All Tracks -- very useful |
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^ Try ger rid of pseudo cut offs |
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^ A Huge project |
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a) Usually has from 16 - 32 audio tracks |
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b) Also lots of video tracks |
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^ Toggle the track targetting for this track (default is highlighted with blue color) |
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a) Usually highlight only that track which you work with |
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- it helps not to pay attention to unnecessary cut offs, but work with only PageUp and PageDown, not with Shift + A nor Shift + D |
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^ Searching of black holes -- very useful |
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a) Sequence > Go to Gap > Next or Previous in Track |
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- My created Shift + Alt + C or Shift + Alt + Z |
| 288 |
^ Snap in Timeline -- better not to change (default is ticked) |
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^ Moving clips vertically from one track to another one |
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a) Function is called 'Nudge Clip Selection Up' (Alt + Up) |
| 291 |
b) Function is called 'Nudge Clip Selection Down' (Alt + Down) |
| 292 |
c) Perhaps is better holding LBM + Shift + to a necessary direction |
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^ Zoom in and Out -- my hotkey '3' and '2' |
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^ Timeline (Shift + 3) |
| 295 |
a) If we want to make unworked several clips |
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- Select them > RBM > untick Enable (E) (very useful) |
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b) Shift + Click on a sign of Eye will switch on or off all video tracks |
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c) Toggle Sync Lock (Default is tick) -- very important |
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- in Avid Media Composer isn't tick |
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- automatically moves to the left part, if we delete selected |
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- if we don't want, that a track is shifted, we untick Toggle Sync Lock |
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^ Copy clips |
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a) Highlight a clip, then ctrl + C and ctrl + V |
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- it will be inserted in that track which is highlighted, but if several tracks highlighted, then to the nearest of the first one |
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^ Source patching for inserts and overwrites |
| 306 |
a) Can be selected only one video track and one audio track as well |
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b) it's useful for choosing overwriting material on empty tracks, not to spoiling busy ones |
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^ Adding Tracks |
| 309 |
a) Premier Pro allows do it automatically just drugging and dropping |
| 310 |
b) RBM on the left part of timeline > Add track or Add tracks (more choosing) |
| 311 |
- Add tracks |
| 312 |
' Here we can give a command after which tracks |
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' Put a number of tracks |
| 314 |
' Set up a type of a track (default Standard in Video, Stereo in Audio) |
| 315 |
^ Deleting Tracks |
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a) RBM on the left part of timeline > Delete track |
| 317 |
- Here will be deleted only one track |
| 318 |
b) RBM on the left part of timeline > Delete tracks |
| 319 |
- Here we can choose an unnecessary track |
| 320 |
- can delete 'All empty tracks', just ticking a tag |
| 321 |
^ A function of showing of repeaters -- very useful |
| 322 |
a) in Timeline click on wrench > tick 'Show duplicate frame markers' (default untick) |
| 323 |
^ A Method is 3-point Montage -- when you part is selected with both sides |
| 324 |
a) We look for a necessary input point in Source Monitor (Shift + 2) |
| 325 |
- Then do only Mark In (I) and overwriting (Shift + N) on a necessary track |
| 326 |
- So Premier Pro throw away excess frames |
| 327 |
b) It works with the output as well |
| 328 |
- Do only Mak Out (O) and overwriting (Shift + N) on a necessary track |
| 329 |
- But more often with an input point |
| 330 |
^ Revealing files |
| 331 |
a) From Timeline |
| 332 |
- RBM > Reveal in Project or Reveal in Explorer |
| 333 |
b) From Source Monitor |
| 334 |
- RBM > Reveal in Project (there's no Revealing in Explorer) |
| 335 |
c) From Project |
| 336 |
- RBM > Reveal in Explorer |
| 337 |
^ Reverse Match Frame (Shift + F) -- useful allows to determine you have a file in Timeline or not |
| 338 |
a) Click in Source Monitor (Shift + F) |
| 339 |
- if it's in Timeline, playback at that point of time |
| 340 |
b) Sequence > Reverse Match Frame |
| 341 |
^ We can hide footages in Project (Shift + 1) |
| 342 |
a) In Metadata choose Hide |
| 343 |
b) Tick necessary clips for hiding |
| 344 |
c) If we want to see hidding footages |
| 345 |
- RBM in Project > Tick View Hidding |
| 346 |
^ Relink -- it helps for founding files in Projects, that are in another folder or path |
| 347 |
a) We can make artificially offline -- RBM on project > Make Offline |
| 348 |
b) For founding on Project RBM > Link Media |
| 349 |
- it must be tick (default) 'Relink others automatically' which will find other footages automatically, providing to show a way for one footage |
| 350 |
c) in Link Media > Locate > we can tick 'Display Only Exact Name Matches' (default untick) |
| 351 |
- it can help to see a necessary footage |
| 352 |
- it doesn't always help, because if you spoil your hard disk, after regenerating names of files will be others |
| 353 |
^ Function Merge -- it helps to synchronize your video and your sound |
| 354 |
a) There's a third-party plugin for Premier Pro 'PluralEyes' |
| 355 |
- It doesn't always work accurately |
| 356 |
b) Much better to do it by hand via 'Clap' |
| 357 |
- You've got at least 2 files where one is video + calm audio, the other is only audio |
| 358 |
- In Source Monitor we put input point, if the 'Clap' is at the beginning, in the both files, or if the 'Clap' is at the end, we put output point |
| 359 |
- In Project we select the two files, then RBM > Merge Clips |
| 360 |
' There are several chooses |
| 361 |
^ Merge Clips |
| 362 |
a) Name -- the same name as the name of the necessary files + "- Merged" |
| 363 |
- We'll get a new video footage |
| 364 |
b) Synchronize Point |
| 365 |
- In Points (default) |
| 366 |
- Out Points |
| 367 |
- Timecode |
| 368 |
- Audio: useful if we hear only clear speech |
| 369 |
c) Sometimes we should Merge Clips with Synchronize Point 'Audio' |
| 370 |
- It's easier, because we don't need to make In Points or Out Points in Source Monitor before merging clips |
| 371 |
^ Grouping and Ungrouping -- very useful (my hotkey Ctrl + G and Shift + Ctrl + G) |
| 372 |
a) It helps when you have lots of clips in Timeline and you can select grouped clips just by one clicking |
| 373 |
b) Grouping works only when 'Linked Selection' (Ctrl + R) is active |
| 374 |
c) Holding Alt makes contrary action for both active 'Linked Selection' and inactive 'Linked Selection' |
| 375 |
^ Replace from Source Monitor -- very useful. Allows quickly replace from Source monitor into a selected clip in Timeline |
| 376 |
a) My Created Hotkey is 'Ctrl + Alt + /' the same as in After Effects |
| 377 |
b) Select a necessary clip in Timeline |
| 378 |
c) Source Monitor (Shift + 2) of a footage that will be replaced mark In Point |
| 379 |
d) Just press hotkey |
| 380 |
e) It doesn't work with grouped clips |
| 381 |
07 |
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